|hzvxvnjt||Date: Tuesday, 2014-05-27, 10:47 AM | Message # 1|
|Wonderful Molly brings heartbreaking psychological horror to the world of the 99 pct. This story of a wife (Gretchen Hotel) who goes nuts or is possessed by way of a demon - or <a href=http://www.nikejordanhighheels.net>nike dunk heels</a> both - occurs in an America regarding limited opportunities. |
It's a haunted-house movie which has a contemporary existential charge. Molly does cleaning work in a very mall and marries Tim (Johnny Lewis), a truck driver which stays away for days on end. They move into her late parents' house - a rambling stone construction in the center of a desolate nowhere - simply because she and her focused sister, Hannah (Alexandra Holden), couldn't sell it for a decent price and living there is better than tossing out rent.
Not even sisterhood is powerful with this movie. Hannah knows there's one thing sinister about her sibling's return to the place where they grew up. But Hannah has confined insight and few useful or imaginative resources. It doesn't take much prompting on her behalf to share some filter with her sister, though Molly is the recovering drug addict. And when Molly starts spiraling into some type of madness, Tim can think of nothing better to do than making a rare trip to church on Sunday, as if simply being within a house of worship can certainly scare any demons out.
Molly's stay at a psychiatric hospital within a prior breakdown was thus traumatic that she begs Hannah never to send her there once more. The most she'll do is take some slumbering pills. For her, there really is simply no exit.
The director, Eduardo Sanchez, a Frederick resident whom shot the film throughout Hagerstown, kicked off the found-footage rage with "The Blair Witch Project" 13 rice. He starts "Lovely Molly" with a piece of Molly's video diary that cues in the craziness that lies forward. But the film doesn't unfold entirely from Molly's standpoint. Her perspective is one portion of Sanchez's confident hand-held storytelling. He uses video from a source that isn't clear prior to the climax, and one startling <a href=http://www.nikejordanhighheels.net>nike heels austrilia</a> voyeuristic amount of mall surveillance. What unifies it all is Sanchez's gift with regard to offhand portraiture. He captures his famous actors at their most spontaneous - <a href=http://www.nikejordanhighheels.net>nike dunk heels</a> and this also unfussy realism makes the story's chills much more insidious.
The images in this movie possess the same semi-opaque pull for the reason that pictures in a stranger's picture album. When Molly leafs via a family scrapbook, the scene is despair and portentous. You put together the particular snapshots' hidden connections in your thoughts; you try to find out the secrets behind these people. You almost immediately decipher what Molly means when the girl says, "He isn't dead, " and who "he" is usually and why "he" terrifies your ex. But some visual and verbal motifs remain out of reach, even after the motion picture ends. Like the antiheroine, audiences get caught with unfathomable circumstances.
The film is most powerful when it skates along the edge of ambiguity. How trustworthy can Molly be after she pulls the woman's old drug paraphernalia through the back of a raggedy <a href=http://www.nikejordanhighheels.net>nike heels</a> teddy have? But how can the dangerous ghost reside only in Molly's head once the house starts to smell for no apparent explanation?
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